Author Topic: Time for the music industry to enter the 21st century  (Read 2462 times)

Offline Dinger

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« Reply #15 on: February 19, 2004, 01:22:25 PM »
Miko's right this far:
intellectual property rights and commercial production are relatively new, and their impact on the quality and quantity of production is questionable.
How did artists, researchers, theologians and others survive if they couldn't "bank" their work?
Patronage by wealthy individuals or government.
Capitalism is good for many things, but it's kinda goofy when applied to ideas.  You get monstrosities like drug companies spending billions of dollars in research, duplicating each others' work, and then spending billions more in advertising so they can exploit the patent. Charles Dickens was probably the first commercial author, and my God, is his prose ever long and masturbatory.
In the realm of mass-produced art (such as popular music, movies and so on), the emphasis is on producing superficial lighthearted pap that offends the fewest people and rakes in the biggest bugs.  "Under the Tuscan Sun"? Give me a break.

SCO is right about one thing, the open-source movement is a serious threat to the current system of intellectual property rights.
Ideas are cheap; implementation is costly.  So why are we paying a premium for ideas?

A really old notion of "liberal" are the things that pertain to a free man.  In theory, a free man gives others the benefit of his mind without charging for it. An artist who works for royalties is not an artist, but a slave.

Offline miko2d

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« Reply #16 on: February 19, 2004, 01:35:00 PM »
Slave is the person who works under compulsion.

Offline miko2d

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« Reply #17 on: February 19, 2004, 01:35:00 PM »
Slave is the person who works under compulsion.

Offline miko2d

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« Reply #18 on: February 19, 2004, 01:39:25 PM »
Slave is the person who works under compulsion of violence.

 A person doing creative work for monetary compensation is not a slave - at least not a slave to any other man. We are all "slaves" to the necessities of nature - have to exert ourselves to ensure our continual survival.

 miko

Offline ra

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« Reply #19 on: February 19, 2004, 01:47:16 PM »
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Throughout most of history and even now to the great degree the people doing creative work were financed by private patrons, by voluntary donations and by their "day jobs".

And they still can, how does that negate the need for intellectual property rights?   If you use this logic then all rights are unnecessary.  People can thrive without any rights at all, including property rights.

"If someone took your right to live, it could not be said that you would continue to live....."

Yes it could.  Throughout history man had NO rights yet he was able to protect his life and property.   He did this through violence or threat of violence.   Rights establish a system whereby a man's interests are recognized and protected by society, even if he cannot himself always protect them.  But rights are not necessary to life.

The distinction between physical property and intellectual property is purely arbitrary.  In both cases the property has value to the owner.   Stealing it deprives the owner of that value.

Intellectual property rights do not create value, they protect it.  When Stephen King writes a book it is with the understanding that people are willing to pay him for his efforts.   If people like the book he will make millions, but only if his ownership of the content is protected by society.  But if the book sucks no one will pay him for it, no matter what the law is regarding intellectual property.  

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There is a huge difference. The writer has not lost his novel - he still has it.

There is no difference.  Stealing the content of the novel renders it worthless.  
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The concept of property applies only to scarse resources.

Says who?  Ghengis Khan?
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The bill of rights just confirms the property rights in more expanded form but it does not introduce any new rights.

The U.S. Constitution, in Article I, section 8, gives Congress the power "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their Respective Writings and Discoveries" .  You will need to amend the Constitution to fit this pointy headed idea.

ra

Offline Dinger

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« Reply #20 on: February 19, 2004, 02:18:42 PM »
slave is said in many ways. The Romans considered slaves those who dirtied themselves with labor.  That's where we got the notion of liberal arts from.

The constitution states there that the goal is to promote science and art; to secure for authors and inventors; and for a limited time.

Take Mickey Mouse.
Mickey Mouse was developed by Ub Iwerks, but Walt Disney, as his boss, got the rights. Now, to protect Mickey Mouse, the moneymaker for a corporation that has a tenuous relation to the author, we have extended intellectual property rights over him to 100 years, well beyond the natural life of anyone involved.

And you'd be hard-pressed to explain how the current situation with the pharmaceutical companies promotes science; or how the RIAA's now-threatened oligopoly over recorded music promotes art.

Offline miko2d

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« Reply #21 on: February 19, 2004, 02:59:03 PM »
ra: And they still can, how does that negate the need for intellectual property rights?

 That does not negate the need for intellectual property rights. the only issue here is who's need and what those "rights" consist of.

 Those rights consist of coercion/opression imposed on me to ensure benefits for certain individuals - some authors of the intellectual creations and some people profiting from their creations.

 Sure, there is the need for such people for intellectual property rights - just like there was the need for slave-owners for the need of slave-owning rights. All I am saying those rights are not legitimate.

Throughout history man had NO rights yet he was able to protect his life and property.

 Many people - including the writers of teh Declaration of Independence - believe that people inherently posess inalianable rights. Those rights are often violated but that does not change the basic definition.
 You do not posess your life because someone does not kill you. You posess your life inherently even though someone may violate it. Same with rights.

There is no difference. Stealing the content of the novel renders it worthless.

 Stealing a piece of bread prevents the former owner from sustaining himself. Stealing the content of a novel does not prevent the owner from reading it.
 So the "worth" you are referring to is not intrinisc to the novel or it's direct use. The worth is in the mechansm of oppression that makes people pay for whatever is arbitrarily defined as property.

Says who? Ghengis Khan?

 Real mature. How about the body of political and philosophical works of the western civilisation for the last 3000 years?
 Are you saying there should be no definition of property except the one that you care to invent?

The U.S. Constitution, in Article I, section 8, gives Congress the power "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their Respective Writings and Discoveries" . You will need to amend the Constitution to fit this pointy headed idea.

 You must be confuising the Constitution with the Revealed Word of God. Only the latter one is absolute truth. :) The Consititution is a document writted by a bunch of 18th century politicians.

 The founders of the US deemed it necessary to restrict the natural rights of americans by creating the artificial concept of "intellectual property". The fact they did so indicates their full understanding that they are creating a new imposition on the freedoms and rights of the people.
 Just like they allowed the government to restrict the natural rights of people to trade their porperty - by allowing the government to control the trade.

 They deemed it worth implementing. So what? They made a lot of decisions based on their current state of knowlege. They approved of slavery among other things or restriction of trade to promote country's welfare.

 I am not arguing about the content of one declining country's document to which nobody pays any attention nowdays.
 I am arguing that:
 First, intellectual rights concept is not legitimate because it involves unjust oppression of other people.
 And second, that the perceived benefits from such concept are far from obvious and may be causing more harm than good to the creative progress.

 miko

Offline AVRO1

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« Reply #22 on: February 19, 2004, 03:23:01 PM »
Not all artists are POP TARTS like Britney you know.

QUEENSRYCHE - Operation Mindcrime 15$ CAN
JIMMY HENDRIX - Smash Hits 15$
DREAM THEATRE - Train of Thought 25$
RUSH - Permanent Waves 15$
FIGHT - War of Words and A Small Deadly Space 15$ each

Last 6 CDs I have bought.  100$ for 4 classics, 1 very good and the other I am not sure yet.  I'd do it again anyday. :aok

If you go work in a factory, you expect to be paid.
These guys make music, buying the albums pays their wages.
Looks the same to me.

Protecting intellectual property is pretty much impossible though.
If you don't like it, you don't have to pay for it.
If you like it then you should be willing to pay for it.
If you are not then don't listen, how hard is that?

Offline ra

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« Reply #23 on: February 19, 2004, 03:35:33 PM »
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The founders of the US deemed it necessary to restrict the natural rights of americans by creating the artificial concept of "intellectual property".

They did not create the concept, it had been around in law for centuries.  They were giving the authority to make laws regarding intellectual property to Congress.
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I am not arguing about the content of one declining country's document to which nobody pays any attention nowdays.

Is there a rising country somewhere with no intellectual property rights?
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First, intellectual rights concept is not legitimate because it involves unjust oppression of other people.

It prevents people from stealing the fruits of other peoples' labor.  That is not unjust oppression.
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And second, that the perceived benefits from such concept are far from obvious and may be causing more harm than good to the creative progress.

They are obvious if you open your eyes.  If you pay for intellectual property, whether it is entertainment, software, or medicine, you are prooving that the people who created those products created something valuable.  The fact that you would rather not have to pay has no bearing on things.

ra

Offline Skuzzy

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« Reply #24 on: February 19, 2004, 03:37:52 PM »
I cannot stand the lack of quality of an mp3.  Tinny, the dynamics are crushed.  Sounds sort of like a poor CD stamping.

I will not waste my time downloading music or film from the Internet.

I have an audiophile grade system at home.  I need something better than CD (DVD-Audio looks good right now).  Not to say CD is bad, but there are enough bad pressings out there to make it a questionable buy.  Of course, that is just the mechanics of the medium being the problem, not the actual music.
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Offline -dead-

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« Reply #25 on: February 19, 2004, 04:10:58 PM »
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Originally posted by AVRO1
Not all artists are POP TARTS like Britney you know.

QUEENSRYCHE - Operation Mindcrime 15$ CAN
JIMMY HENDRIX - Smash Hits 15$
DREAM THEATRE - Train of Thought 25$
RUSH - Permanent Waves 15$
FIGHT - War of Words and A Small Deadly Space 15$ each

Last 6 CDs I have bought.  100$ for 4 classics, 1 very good and the other I am not sure yet.  I'd do it again anyday. :aok

If you go work in a factory, you expect to be paid.
These guys make music, buying the albums pays their wages.
Looks the same to me.

Protecting intellectual property is pretty much impossible though.
If you don't like it, you don't have to pay for it.
If you like it then you should be willing to pay for it.
If you are not then don't listen, how hard is that?
Hmm Buying a CD pays Jimi Hendrix's wages?!? - I think not.

Seriously, though - most artists get to see precious little of the $14.50 mark up on a $0.50 CD. They get 5%-10% of sales - remember that's 5-10% of prolly $7.50 - $10. Out of that they pay for the recording, publicity, production, design, artwork, printing etc. involved in making & promoting the CD. They usually have to go on tour to see any real cash. CDs are basically a money maker for the record companies.
So if you just want to support them - you can feel fairly sin-free downloading the music: as long as you pay to go see their shows. This also avoids the whole paying dead people for their talent paradox. ;)
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Offline Pei

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« Reply #26 on: February 19, 2004, 04:32:09 PM »
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Originally posted by Skuzzy
I cannot stand the lack of quality of an mp3.  Tinny, the dynamics are crushed.  Sounds sort of like a poor CD stamping.

I will not waste my time downloading music or film from the Internet.

I have an audiophile grade system at home.  I need something better than CD (DVD-Audio looks good right now).  Not to say CD is bad, but there are enough bad pressings out there to make it a questionable buy.  Of course, that is just the mechanics of the medium being the problem, not the actual music.


It's just a matter of time until we have a better encoding standard. There is no reason why we can't encode music to the same standard as CDs or higher - it will happen soon. This is in fact one area where the music industry can take the lead.

Offline FUNKED1

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« Reply #27 on: February 19, 2004, 04:36:16 PM »
This is one area where hearing loss is a boon.  I can't tell the difference between a CD and >192k MP3.

Offline Sandman

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« Reply #28 on: February 19, 2004, 05:07:39 PM »
That and 128k MP3 is better than FM radio.
sand

Offline Wlfgng

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« Reply #29 on: February 19, 2004, 05:18:28 PM »
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Artists will still create, authors write, inventors invent and scienits discover. Probaby more efficiently.


woah.. being a musician myself I have to say NAY to that idea.
inspiration/creativity can't be rushed... by technology or otherwise.  All the tools in the world don't make ideas come any faster.
and if someone cries the 'techno' age does away with all the necessity for 'real' instruments and can be done with software on the computer.. I say.. so what?  it sounds like crap!  :)

Skuzzy hit the nail on the head IMO.
I have even put my stuff on the web in MP3 format only to be sadly dissapointed at the quality compared to the original.
CD's still rule for now with regards to digital quality.

(o-course some would argue that vinyl is far superior)