lol as perceptive as a frog in a milky pond i am, a blind frog
generaly in my films i try to make the best of the limited view options to show ACMs and not close up killshots and the like, which look alot better for a hollywood style film, but dont maybe have the same meaning.
99% of external shots in are done with the F5 fixed view, and alot of zoom, whilst trying to find the right angles and pans to keep the heavily szoomed camera on shot with 2 planes.
i think this is what you mean, and i agree, but i happily sacrifice the eye candy of close in shots for the ACM view that the far out ones give.