Generally... it depends on if you're a hard hitter or not... If you are, I'd recommend using a shure 57 on each drum, with the snare being mic'd both on top (for the slap sound) and the bottom (for the chains). Make sure ya reverse the phase of the bottom mic. I didn't have enough inputs to mic the bottom, though... the Digi001 only gives ya eight.
Then I used (I think it was) an akg d112 for the bass dum, positioned off to the side, but pointing to the spot where the beater hits.
I can't remember what make the cymbal mics were (probably akg), but they were condensors. I had one pointing straight down on the hi-hat about a third of the way in. Another was positioned over the left crash, and the last one was over and aimed at a spot between the ride and right crash. That was the most tricky of the entire set-up.... trying to get a good mix between the crash and ride. But again, only 8 mics...
What's really missing is the room sound. You usually have two mics positioned above and away from the kit to get the room's natural reverb. After everything else was mic'd I didn't have anything left to do this. A good technique which I was planning to do but never got around to is to re-amp the drums by playing the part back through your monitors, and recording them again from far away (was going to use a long hallway).
You can also do the same type of thing to beef up your snare sound, by putting one of the monitors right on your snare facing down, playing the snare part back through it, and recording it from a mic placed under the snare.
That's about all I can think of... but if I left anything out go ahead and ask.
