Author Topic: Syriana  (Read 137 times)

Offline Ripsnort

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Syriana
« on: December 07, 2005, 09:34:36 AM »
Hollywood's political impulse beats strong with this movie. I will probably not see this one until its on Netflix, maybe you active Movie Go'ers can tell me how close to my predictions I am (in bold) below?

Quote
Originally Posted by Yahoo

From writer/director Stephen Gaghan, winner of the Best Screenplay Academy Award for 'Traffic,' comes 'Syriana,' a political thriller that unfolds against the intrigue of the global oil industry. From the players brokering back-room deals in Washington to the men toiling in the oil fields of the Persian Gulf (Bad Guys) the film's multiple storylines weave together to illuminate the human consequences of the fierce pursuit of wealth and power. As a career CIA operative (George Clooney)(Good Guy, fighting Corporate America! Victim of the traitorous CIA!) begins to uncover the disturbing truth about the work he has devoted his life to, an up-and-coming oil broker (Matt Damon)(Bad Guy) faces an unimaginable family tragedy and finds redemption in his partnership with an idealistic Gulf prince (Alexander Siddig)(Victim of US Manipulation, good guy!). A corporate lawyer (Jeffrey Wright)(Good guy, after all he's a lawyer!)faces a moral dilemma as he finesses the questionable merger of two powerful U.S. oil companies,(Bad guys, they have money!) while across the globe, a disenfranchised Pakistani teenager (Mazhar Munir)(Bad guy, victim, "freedom fighter") falls prey to the recruiting efforts of a charismatic cleric. Each plays their small part in the vast and complex system that powers the industry, unaware of the explosive impact their lives will have upon the world.

Offline Krusher

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Syriana
« Reply #1 on: December 07, 2005, 09:50:51 AM »
It sounds like The Constant Gardener



The subject is the malfeasance of international pharmaceutical companies and government bureaucracies.

The film stands head and shoulders above the typical action dramas that these days have become little more than elaborate chase and crash sequences. Here the quest takes us into the consideration of soul and the moral quagmire that arises when money and power take precedence over the value of human life. And right in sync with the global trends of this era, The Constant Gardener depicts the gap between the rich and the poor and the lengths to which the mighty will go to cover up their rampaging corruption and ethical rot.

After returning to Kenya, the diplomat keeps discovering more information about the circles of deceit surrounding Dypraxa. In a telling scene, he has traveled to a remote village where food is being distributed to starving Africans. A marauding force of vicious men on horseback gallop through the place killing men, women, and children with wild abandon. The point is made that the poor are constantly the victims of violence, whether their oppressors are global corporations or murderous bands of tribesmen. They are viewed as worthless commodities by their own country's leaders and by the other governments who have no qualms about making a profit on their suffering, especially if it means jobs and political capital at home. The Constant Gardener is a watershed work that exposes the shadowy parameters of a new war that is animated by corporate greed and political amorality.