Author Topic: Bad Day at the Office?  (Read 647 times)

Offline trax1

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Bad Day at the Office?
« Reply #15 on: February 15, 2008, 04:04:34 PM »
Quote
Originally posted by ChickenHawk
Why the 17th century Italian violins sound so good is one of the great mysteries.  Some luthiers of today have spent most of their lives trying to find the answer to that question.  There are many theories but none have been proven yet.

It is known that an acoustic stringed instrument sounds better the longer it's been played though.  Maybe some of the violins produced today will sound as good in three hundred years.
Yeah but his were different, they sounded good and were prized for there perfect sound when they were made, not just 300 years later.
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Offline trax1

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« Reply #16 on: February 15, 2008, 05:06:50 PM »
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Originally posted by KgB
I read somewhere that Stradivarius used hes own special lacquer,secret of which is lost.
reread my other post on that.
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Offline KgB

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« Reply #17 on: February 15, 2008, 05:38:09 PM »
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Originally posted by trax1
reread my other post on that.

Sorry,deleted
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Offline Masherbrum

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« Reply #18 on: February 15, 2008, 06:24:56 PM »
Quote
Originally posted by Airscrew
did someone say TRIP?  Skuzzy?.....

Interesting about the description of the damage....

It went from "fractured" to "smashing it to bits", to "crushed".  I think fractured can be repaired, smashed to bits and crushed sound terminal to me...
I concur with your assessment of the situation.   :cool:
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Offline DREDIOCK

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« Reply #19 on: February 15, 2008, 06:33:57 PM »
somethign that old and valuable should only be played less then 4 feet from where its being stored.

Preferably in a museum
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Offline Sundowner

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« Reply #20 on: February 15, 2008, 08:45:45 PM »
Too bad about that fiddle. :eek:

How about a one of a kind phonograph wax cylinder?

RIP (Rest In Pieces)

http://www.youtube.com/watch?v=8SdmlE5j7OM

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Offline DiabloTX

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« Reply #21 on: February 15, 2008, 08:54:21 PM »
There's various aspects to stringed instruments and how they get their tone.  Most importantly is the player themself.  A great musician can play any brand of instrument and still sound like themselves...and still sound amazing.  For stringed instruments you have wood quality.  What type of wood and how long has been drying.  One of the key ingredients I have found is the older the wood used in an instrument, NOT how old the tree is, is key to getting a great tone.  Wood that has been allowed to age and dry vibrates easier and fuller than wood that is still "wet".  That's part of the reason the older stinged instruments sound so damn good.  The same thing can be said of making amplifiers using the same wood; resonance.  The technique and ability of the maker comes into play of course.  But the one thing a 1959 Strat and a 1720 Strad have common is wood that's had a long time to age and mellow.

Remember what Gus McCrae said, "The older the vioin, the sweeter the music."
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