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Author Topic: nrshida - Artist  (Read 2016 times)

Offline nrshida

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Re: nrshida - Artist
« Reply #45 on: September 19, 2012, 04:34:30 PM »
Quote from: JOACH1M on September 19, 2012, 04:31:11 PM
I love it shida!

Fantastic! This is an endorsement of going to art college all those years ago and expressing oneself in times of torment.

Do you think I could get a lot for it?
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Offline nrshida

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Re: nrshida - Artist
« Reply #46 on: September 19, 2012, 04:37:16 PM »
Quote from: RedBull1 on September 19, 2012, 04:33:50 PM
It brought a tear to my eye, simply amazing old friend!  :old:

Splendid to hear. I really made it to move people to thought. Do you think I captured the juxtaposition between the tragic torment of love and loss?

The canvas is actually quite big, should I contact a gallery do you think?
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Offline GScholz

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Re: nrshida - Artist
« Reply #47 on: September 19, 2012, 04:37:48 PM »
Quote from: nrshida on September 19, 2012, 04:29:24 PM
Really? That's great, did you find it moving? Do you think I have a future in Art?

Wow, I'm so glad I trusted my talent and posted now. All those nerves over nothing...

Yes, it's difficult to enter into this work because of how the aura of the negative space endangers the devious simplicity of the distinctive formal juxtapositions. I agree/disagree with some of the things that have just been said, but the metaphorical resonance of the Egyptian motifs notates the inherent overspecificity.

With regard to the issue of content, the disjunctive perturbation of the spatial relationships brings within the realm of discourse a participation in the critical dialogue of the 90s.

As an advocate of the Big Mac Aesthetic, I feel that the sublime beauty of the facture contextualize the essentially transitional quality.

 :aok
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Offline Dragon

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Re: nrshida - Artist
« Reply #48 on: September 19, 2012, 04:42:09 PM »
Quote from: GScholz on September 19, 2012, 04:37:48 PM
Yes, it's difficult to enter into this work because of how the aura of the negative space endangers the devious simplicity of the distinctive formal juxtapositions. I agree/disagree with some of the things that have just been said, but the metaphorical resonance of the Egyptian motifs notates the inherent overspecificity.

With regard to the issue of content, the disjunctive perturbation of the spatial relationships brings within the realm of discourse a participation in the critical dialogue of the 90s.

As an advocate of the Big Mac Aesthetic, I feel that the sublime beauty of the facture contextualize the essentially transitional quality.

 :aok

I couldn't have said it better.

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Offline danny76

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Re: nrshida - Artist
« Reply #49 on: September 19, 2012, 04:43:17 PM »
Physical manifestation of an emotional process :aok
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Offline nrshida

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Re: nrshida - Artist
« Reply #50 on: September 19, 2012, 04:45:01 PM »
See, NEVER underestimate the Aces High community - there for you in times of trouble, feisty debate over world politics, cutting humour and good fellowship and now art appreciation too.

It warms my heart GScholz, that you grasp the delicate compositional landscape, underlined by the use of muted colours as a commentary on the economic system, and the human element as communicated in the risk / reward careful postural structuring of mother and child.

 :salute

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Offline GScholz

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Re: nrshida - Artist
« Reply #51 on: September 19, 2012, 04:48:42 PM »
Sorry, it's piss.  :salute
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Offline nrshida

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Re: nrshida - Artist
« Reply #52 on: September 19, 2012, 04:50:37 PM »
Philistine!  :mad:
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Offline GScholz

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Re: nrshida - Artist
« Reply #53 on: September 19, 2012, 04:51:32 PM »
Boo!  :mad:
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Offline Shuffler

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Re: nrshida - Artist
« Reply #54 on: September 19, 2012, 04:53:23 PM »
Quote from: nrshida on September 19, 2012, 04:25:16 PM
(Image removed from quote.)

Absolutely amazing. I have one that closely resembles that on the wall next to my computer. My 21 year old daughter did it for me some 18 years back.

To this day I still cherish the work.


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Offline mechanic

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Re: nrshida - Artist
« Reply #55 on: September 19, 2012, 05:02:25 PM »
Quote from: GScholz on September 19, 2012, 04:37:48 PM
Yes, it's difficult to enter into this work because of how the aura of the negative space endangers the devious simplicity of the distinctive formal juxtapositions. I agree/disagree with some of the things that have just been said, but the metaphorical resonance of the Egyptian motifs notates the inherent overspecificity.

With regard to the issue of content, the disjunctive perturbation of the spatial relationships brings within the realm of discourse a participation in the critical dialogue of the 90s.

As an advocate of the Big Mac Aesthetic, I feel that the sublime beauty of the facture contextualize the essentially transitional quality.

 :aok


 :rofl
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Offline coombz

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Re: nrshida - Artist
« Reply #56 on: September 19, 2012, 05:02:32 PM »
Quote from: nrshida on September 19, 2012, 04:29:24 PM
Really? That's great, did you find it moving? Do you think I have a future in Art?

Wow, I'm so glad I trusted my talent and posted now. All those nerves over nothing...

Great job shida ;)  You certainly have some hitherto undisclosed talents which have been displayed masterfully in this thread  :salute  
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Offline Zoney

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Re: nrshida - Artist
« Reply #57 on: September 19, 2012, 05:08:56 PM »
Quote from: GScholz on September 19, 2012, 04:48:42 PM
Sorry, it's piss.  :salute

No, that's just yellow crayon.
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Offline GScholz

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Re: nrshida - Artist
« Reply #58 on: September 19, 2012, 05:11:36 PM »
Ah... My mistake. Never mind then.  :o
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Offline nrshida

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Re: nrshida - Artist
« Reply #59 on: September 19, 2012, 05:14:03 PM »
Quote from: Zoney on September 19, 2012, 05:08:56 PM
No, that's just yellow crayon.
i

Yes quite so Zoney. I thought that Scholz fellow understood, but frankly his integrity as an artist was blown the moment he threatened the resale value.
« Last Edit: September 19, 2012, 05:26:26 PM by nrshida »
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