DejaWho?:
Its actually the best part of the whole film. I can't believe how well the 190s moves merged with the music. It was an excellent choice (thanks again AKIron).
Perhaps, but Strauss'
Blue Danube (the piece in the film fyi); is extremely overplayed and I'm quite frankly, tired of hearing it. Now if you want to go the classical route, I would recommend one of Bach's contrapuntal pieces rather than a Strauss Waltz. Why? Well, for one, (as I stated in a previous thread discussing what a classical choice to accompany a film would be. Which can be seen
here)
After reviewing the film again, DMF, pervicaciously believe that one of Bach's counterpoint pieces would go along with Wotan's highly somber piece and flying. The counterpoint technique of the piece would fortify the sense of one-on-one air combat, as counterpoint (for the musically definition challenged) note-against-note. Polyphonic music would suit this piece like none other.
Thus my final recommendation is Bach's Orchestral Suite No. 1 in C Major, Forlane
Bach would fit even more since in the film the F6F seems to be struggling and almost about to overshoot the 190. Bach's pieces (preferable a Fugue) would really go well, since the texture of the Fugue is all about the subject in the piece coming and going; kind of like how the F6F in the film is ALMOST overshooting, but he manages to prevent it--however, so barely.
DejaWho?:
Maybe you have a problem with it because its classical? That may change after you get out of high school.
Hehe, actually, Western Classical is my favorite type of music. As well as the ONLY good music imo. I'm particularly fond of late Classical-early/mid Romantic. I'm a Brahmsian a you can probably tell be the other thread.
