You should read the specs...
Ok lets speak about specs.
What is the THD on the amplifier you use at this time? You do realize that even if your source had 0% THD and your amp introduces 0.005% THD at 1 watts, you end up with 0.005% THD?
So. Your source has 0.000005% THD. My source has 0.000008% THD. After it's played through a hi-fi amp it has 0.00505% and 0.00508% THD, respectively. After you play it through speakers at 10 watts output your amp puts out already 0.01 % THD probably. Then your speakers add another 0.1% or more.
So if I play music using my high-end amplifier and high-end electrostatic speakers that do not add the 0.01% + 0.1% THD but maybe tenth or less of that, I end up with much higher accuracy even when using a totally 'crappy' source. This is because I have addressed the biggest source of distortion in the audio chain.
Advantages of electrostatic loudspeakers include levels of distortion one to two orders of magnitude lower than conventional cone drivers in a box, the extremely light weight of the diaphragm which is driven across its whole surface, and exemplary frequency response (both in amplitude and phase) because the principle of generating force and pressure is almost free from resonances unlike the more common electrodynamic driver. Musical transparency can be better than in electrodynamic speakers because the radiating surface has much less mass than most other drivers and is therefore far less capable of storing energy to be released later. For example, typical dynamic speaker drivers can have moving masses of tens or hundreds of grams whereas an electrostatic membrane only weighs a few milligrams, several times less than the very lightest of electrodynamic tweeters. The concomitant air load, often insignificant in dynamic speakers, is usually tens of grams because of the large coupling surface, this contributing to damping of resonance buildup by the air itself to a significant, though not complete, degree. Electrostatics can also be executed as full-range designs, lacking the usual crossover filters and enclosures that could color or distort the sound.